Abstract
This paper examines the portrayal of post-human themes in Hollywood adaptations, particularly in "Alita: Battle Angel" and "Ghost in the Shell." Analyzing these films through the lens of post-human film theory, the study explores their exploration of human-machine fusion, identity, memory, and the ethical dimensions of technology. It highlights the similarities and differences in their approaches to these themes, including societal structures, individual autonomy, and techno-ethical challenges. The paper also discusses the impact of environmental and technological philosophical themes and links them to the theoretical viewpoints of Rachel Carson and Pete Townshend. By weaving these themes into a sci-fi narrative, these films contribute to a deeper understanding of the complex relationship between human evolution, technological advancement, and environmental considerations in the post-human era.
Metadata
Item Type: | Article |
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Creators: | Creators Email / ID Num. Luo, Mu Ying UNSPECIFIED Ibrahim, Zainuddin UNSPECIFIED Lan, Mo UNSPECIFIED Qiu, Yu Ming UNSPECIFIED |
Subjects: | P Language and Literature > PN Literature (General) > Collections of general literature > Fiction T Technology > TA Engineering. Civil engineering > Human engineering |
Divisions: | Universiti Teknologi MARA, Shah Alam > College of Creative Arts |
Journal or Publication Title: | Journal of Creative Arts |
UiTM Journal Collections: | Listed > Journal of Creative Arts (JCA) |
ISSN: | e-ISSN: 3030-6086 |
Volume: | 1 |
Number: | 1 |
Page Range: | pp. 121-129 |
Keywords: | Techno-Ethics, Post-Human Landscape, Human-Machine Integration, Identity and Memory |
Date: | May 2024 |
URI: | https://ir.uitm.edu.my/id/eprint/108890 |