Abstract
Street art in Malaysia began and active in the 1990s. It is an arena of public art activities such as façade of the buildings and ramparts. Style and method are similar like painting and normally it’s have meaning and definition afterward. This study will involve several towns in Peninsular Malaysia such as Kuala Lumpur, Shah Alam, Johor Bahru, Melaka, Ipoh and Penang. The aim of this study is to analyse the meanings and to recognize a contextual factor that influence the form and content of street art in Malaysia. Iconographical theory will be used to identify, classify and interpret the meaning and understand the phenomenon of street art in Malaysia. Comprehensive documentation will recognize and acquire a fresh perception of this trend.
Metadata
Item Type: | Conference or Workshop Item (Paper) |
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Creators: | Creators Email / ID Num. Muhammad, Syafril Amir UNSPECIFIED Mohd Din, Nurul Huda UNSPECIFIED Mahamood, Muliyadi UNSPECIFIED Mokhtar, Mumtaz UNSPECIFIED |
Subjects: | N Fine Arts > N Visual arts (General) > General works > Technique, composition, etc. > Styles N Fine Arts > N Visual arts (General) > Art and the state. Public art N Fine Arts > NA Architecture > Walls > Facades |
Divisions: | Universiti Teknologi MARA, Melaka > Alor Gajah Campus > Faculty of Art and Design |
Event Title: | Empowering Local Mind In Art Design & Cultural Herritage 3rd ISME International Colloquium 2016 |
Event Dates: | 27 & 28 December 2016 |
Page Range: | pp. 51-63 |
Keywords: | Street art; Iconography; Symbol; Style; Interpretation |
Date: | 2016 |
URI: | https://ir.uitm.edu.my/id/eprint/20027 |
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