Feminism in contemporary Gongbi painting: formal analysis perspective

Runhong, Liu and Ahmed Fauzi, Tetriana and Mohd Rozlan, Rosyida (2025) Feminism in contemporary Gongbi painting: formal analysis perspective. Idealogy Journal, 10 (2). pp. 346-355. ISSN 2550-214X

Official URL: https://idealogyjournal.com/

Identification Number (DOI): 10.24191/idealogy.v10i2.825

Abstract

This study focuses on the aesthetic characteristics of female artists and the representation of female figures in contemporary Gongbi painting. Traditionally known for its meticulous brushwork and detailed expression, Gongbi painting has undergone a transformation, adapting to modern contexts by integrating contemporary aesthetics, cultural narratives, and individual expression. In recent decades, female artists have played a crucial role in reshaping the genre, infusing it with new meanings and perspectives rooted in gender awareness and personal experience. The existing literature discusses the impact of feminism and the increasing presence of women in the art world, shedding light on how these factors influence both content and style. Scholars such as Kim, Elgammal, and Mazzone argue that formal elements—such as line quality, texture, and color—can be critically analyzed to understand an artwork's aesthetic values. Building on this approach, the present study applies formal analysis to examine the works of nine Chinese female artists, highlighting their contributions to the evolution of contemporary Gongbi painting.

Metadata

Item Type: Article
Creators:
Creators
Email / ID Num.
Runhong, Liu
liurunhong@student.usm.my
Ahmed Fauzi, Tetriana
tetriana@usm.my
Mohd Rozlan, Rosyida
rosyida@fskik.upsi.edu.my
Subjects: N Fine Arts > ND Painting > Biography > Women painters
N Fine Arts > ND Painting > History
Divisions: Universiti Teknologi MARA, Perak > Seri Iskandar Campus > Faculty of Art and Design
Journal or Publication Title: Idealogy Journal
UiTM Journal Collections: UiTM Journals > Idealogy Journal (IdJ)
ISSN: 2550-214X
Volume: 10
Number: 2
Page Range: pp. 346-355
Keywords: Gongbi painting, Feminism, Chinese painting, Formal analysis, Female artist
Date: September 2025
URI: https://ir.uitm.edu.my/id/eprint/124812
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