Abstract
Woodcarving is a form of Malaysian traditional art. After the advent of Islam in the Malay Peninsula in the 13th century (Pasai) and 14th century (Malacca), Islamic motifs such as calligraphic woodcarvings are added to the local art forms, particularly to embellish Malaysian mosques. Although Malaysian mosques have been built using three architectural styles, namely the vernacular, colonial and modern, the designers did not distinguish between the styles when installing calligraphic woodcarving ornamentations in the prayer halls. Furthermore, although many studies have been conducted to investigate the characteristics of Malaysian woodcarvings, findings on the opinions of mosque users are lacking. Hence, this thesis aims to identify the various forms of calligraphic woodcarving ornamentations through the analysis of their writing styles and other characteristics of this ornamentation from the selected peninsular Malaysian mosques.
Metadata
Item Type: | Thesis (PhD) |
---|---|
Creators: | Creators Email / ID Num. Saberi, Ahmadreza 2010961279 |
Contributors: | Contribution Name Email / ID Num. Thesis advisor Endut, Esmawee UNSPECIFIED Thesis advisor Ahmad, Sabarinah UNSPECIFIED |
Subjects: | B Philosophy. Psychology. Religion > BP Islam. Bahaism. Theosophy, etc > Islam > Mosques. Monasteries |
Divisions: | Universiti Teknologi MARA, Shah Alam > Faculty of Architecture, Planning and Surveying |
Programme: | Doctor of Philosophy (Heritage Department) |
Keywords: | Calligraphic woodcarving, ornamentations, Peninsular Malaysian, mosques |
Date: | 2016 |
URI: | https://ir.uitm.edu.my/id/eprint/113079 |
Download
![[thumbnail of 113079.pdf]](https://ir.uitm.edu.my/style/images/fileicons/text.png)
113079.pdf
Download (336kB)
Digital Copy

Physical Copy
ID Number
113079
Indexing

