Claude Debussy’s La Cathedrale Engluite and Claude Monet’s La Parliament; the correlation between two form of arts during the impressionism era / Siti Lina Mastura Zulrani

Zulrani, Siti Lina Mastura (2009) Claude Debussy’s La Cathedrale Engluite and Claude Monet’s La Parliament; the correlation between two form of arts during the impressionism era / Siti Lina Mastura Zulrani. Student Project. Faculty of Music, Shah Alam. (Unpublished)

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Abstract

In the 20th century, there are many divisions of eras that vastly expand into many different schools of thought. Artists are open to options in creating different approaches, techniques in performing and injecting their thoughts into their writings, this goes to the composers. Thus the existence of expressionism, minimalism, and all other divisions of artists in the respected areas are born and mould. Impressionism was one of it. During this era, it was known for a fact that many artists, routed from musicians, painters, literates, sculptors and many others are linked and connected towards one another. Their art-making ideas are inspired and correlate with one another. Thus, during this era, musicians are mostly linked with painters and vice versa.

Item Type: Monograph (Student Project)
Creators:
CreatorsID Num.
Zulrani, Siti Lina MasturaUNSPECIFIED
Subjects: M Music and Books on Music > ML Literature of music > Instruments and instrumental music
M Music and Books on Music > ML Literature of music > Aspects of the field of music as a whole
Divisions: Faculty of Music
Item ID: 22172
Uncontrolled Keywords: Claude Debussy’s La Cathedrale Engluite; Claude Monet’s La Parliament;
Last Modified: 16 Nov 2018 02:57
Depositing User: Staf Pendigitalan 5
URI: http://ir.uitm.edu.my/id/eprint/22172

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