Making tourism board of Sarawak known to society by using advertising / Nuryasyqin Abdillah and Siti Sarah Adam Wan

Abdillah, Nuryasyqin and Adam Wan, Siti Sarah (2023) Making tourism board of Sarawak known to society by using advertising / Nuryasyqin Abdillah and Siti Sarah Adam Wan. In: Graphic philosophy: the creative process of undergraduate final year projects. Kolej Pengajian Seni Kreatif (KPSK) UiTM Cawangan Melaka, Alor Gajah, Melaka, pp. 18-20. ISBN 978-967 -26941-8-2

Abstract

Sarawak's Batik Linut is originates from a Melanau village in Kampung Telian, Mukah. Now, "Batik Linut," which is distinguished by its use of rumbia or sago flour to create motifs on cloth, is making its mark on the world stage through the city of Miri. Linut, a sticky porridge-like delicacy made with sago flour, hot water, and a little patience, is one of their most popular dishes. As far as the Melanau and other Sarawak native communities are concerned, linut is solely for consuming. However, in 2019, a team from Lamin Dana in Kampung Tellian, Mukah, led by the Malaysian Handicraft Development Corporation (Kraftangan Malaysia) Sarawak branch, embarked on a pioneering program to investigate the potential of Linut beyond culinary traditions, notably in handicraft. As a result, Batik Linut was created, an innovation that employs sago flour as its main ingredient to produce and design distinctive colors and patterns on textiles. Batik involves decorating fabrics like linen, silk, and cotton by employing the wax-resist dyeing technique. An ancient art form of Indonesia, it has been practiced across the globe for centuries, from China, Japan, and India to South America and Europe. At present, the waxes used in batik making are made from paraffin, beeswax, and soy. Although paraffin is readily available in the form the success of the handicraft project at Kampung of candle wax and is less expensive, but it is not as environmentally friendly as beeswax or soy. In the case of Sarawak, obtaining this material can be challenging because of the discovery of sago and specifically lint as another "natural" source for batik wax. To give Batik Linut a more exclusive Melanau identity, motifs inspired by the community's traditional fashion and nature are highlighted on each fabric through the silk screen printing technique, including on baju bangkuas, buah mulung and terendak. Batik Linut has attracted the interest of youths, including students, apart from homemakers, entrepreneurs, and fashion designers.

Metadata

Item Type: Book Section
Creators:
Creators
Email / ID Num.
Abdillah, Nuryasyqin
UNSPECIFIED
Adam Wan, Siti Sarah
UNSPECIFIED
Contributors:
Contribution
Name
Email / ID Num.
Chief Editor
Harun, Azahar
UNSPECIFIED
Editor
Mohd Fadil, Mohd Zaki
UNSPECIFIED
Editor
Mohd Hidli, Suci Salsabilla
UNSPECIFIED
Designer
Ahmad, Muhammad Aqil
UNSPECIFIED
Team Member
Muhamad Nasir, Nuratikah Husna
UNSPECIFIED
Team Member
Kamaruddin Muhammad, Ahmad Kusyaryman
UNSPECIFIED
Team Member
Azian Sofian, Aidil Azizi
UNSPECIFIED
Team Member
Rosli, Ainin Sofiya
UNSPECIFIED
Team Member
Nik Man Nur, Nik Puteri Areesya
UNSPECIFIED
Team Member
Mohd Pidaus, Anith Liyana
UNSPECIFIED
Team Member
Asmadi, Fatin Nadia
UNSPECIFIED
Subjects: G Geography. Anthropology. Recreation > G Geography (General) > Travel and the state. Tourism
Divisions: Universiti Teknologi MARA, Melaka > Alor Gajah Campus > Faculty of Art and Design
Page Range: pp. 18-20
Keywords: Sarawak's Batik Linut; Melanau identity; Batik making
Date: 2023
URI: https://ir.uitm.edu.my/id/eprint/80616
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