Abstract
This paper explores the concept of worldbuilding as applied in the Ejen Ali animation franchise, focusing on its construction of a spy and espionage universe. Worldbuilding, within the framework of transmedia studies, is a storytelling strategy designed to create and sustain narratives across multiple formats. This approach not only ensures consistency across various media but also develops a complex, immersive storyworld that enhances the audience's engagement. Ejen Ali franchise illustrates this technique by extending its spy-themed universe through TV series, cinematic film, comic books, and games. By examining how Ejen Ali employs cross-platform worldbuilding, this paper investigates the creation and evolution of its espionage narrative across diverse formats and the resulting impact on consumer experience
Metadata
| Item Type: | Article |
|---|---|
| Creators: | Creators Email / ID Num. Mohd Hasri, Umar Hakim UNSPECIFIED Md Syed, Md Azalanshah UNSPECIFIED |
| Subjects: | N Fine Arts > NC Drawing. Design. IIlustration > Graphic art materials > Other, A-Z > Computer drawing P Language and Literature > PN Literature (General) > Drama > Motion picture |
| Divisions: | Universiti Teknologi MARA, Shah Alam > Faculty of Communication and Media Studies > Centre for Media and Information Warfare Studies (CMIWS) |
| Journal or Publication Title: | Journal of Media and Information Warfare (JMIW) |
| UiTM Journal Collections: | UiTM Journals > Journal of Media and Information Warfare (JMIW) |
| ISSN: | 2821-3394 |
| Volume: | 14 |
| Number: | 1 |
| Page Range: | pp. 17-27 |
| Keywords: | Ejen Ali, Spy and Espionage, Transmedia storytelling, worldbuilding, Malaysia, Animation industry |
| Date: | 30 April 2025 |
| URI: | https://ir.uitm.edu.my/id/eprint/137512 |
